Janet Williams Color PortraitAmerican soprano Janet Williams has won international critical acclaim for performances at the Metropolitan Opera, Berliner Stadtsoper, Paris Opera, Thèâtre des Champs Elysée, Opera de Lyon, Nice Opera, Théâtre Royal de la Monnaie, Geneva Opera, Frankfurt Opera, Cologne Opera, Leipzig Opera, San Francisco Opera, Washington Opera, Dallas Opera and Michigan Opera Theatre as well as in concerts throughout Europa, North America, Canada, Israel and Japan with conductors including Vladimir Ashkenazy, Daniel Barenboim, Myung Whung Chung, Phillippe Herreweghe, René Jacobs, Marek Janowski, Neemi Jarvi, Raymond Leppard, Fabio Luisi, Sir Neville Marriner, Nicholas McGegan, Zubin Mehta, Kent Nagano, John Nelson, Donald Runnicles, Gerard Schwarz and Michael Tilson Thomas. Janet Williams has appeared with the Israel Philharmonic at Carnegie Hall, The Chicago Symphony, the Mostly Mozart Festival in New York and Tokyo, the New World Symphony, the Detroit Symphony, the New York, Los Angeles, Santa Fe Chamber Orchestras, as well as with orchestras throughout Europe in repertoire ranging from Bach und Mozart to contemporary works of living composers. Her interpretations as a recitalist have been critically acclaimed in New York, San Francisco, Washington D. C. and Detroit and as well as Berlin, Paris, Tokyo and in Iceland. Ms. Williams' professional carreer began with the San Francisco Opera Center as a member of the Merola Program. She was awarded an Adler Fellowship and subsequently appeared with the company as guest artist singing leading roles in the operas of Mozart, Puccini, Händel and Rossini. She was a member of the Berlin Staatsoper ensemble, making a critically acclaimed debut as Cleopatra in Carl Heinrich Graun's Cleopatra e Cesare. Other roles in her repertoire include Pamina in Die Zauberflöte, Konstanze and Blondchen in Die Entführung aus dem Serail, Susanna in Le nozze di Figaro, Sophie in Der Rosenkavalier, Adina in L'Elisir d'amore, Änchen in Der Freischütz, Adele in Die Fledermauß, Rosina in Il Barbiere di Seviglia, Musetta in La Boheme, Gilda in Rigoletto, Oscar in Un Ballo in Maschera and Nannetta in Falstaffas as well as the Jungfrau in Stravinsky's Moses und Aron and Manon in Henze's Boulevard Solitude. She is especially acclaim for leading roles in the baroque operas of Händel, Telemann, Gassmann and Stradella at the Händel Festival in Halle, the Festwochen der Alten Musik in Innsbruck, Austria; the Spoleto Festival Italy, the Schwetzingen Festival, the Wexford Festival in Ireland and the Styriarte Festival in Graz. Ms. Williams recently made her theatrical debut in Dante's La Vita Nova in a co-production of the Berlin Renaissance Theater and the Bayer-Leverkusen Kulturhaus. She has appeared in nationally and internationally televised specials, including the Kennedy Center Honors Concert in a tribute to honoree Marylin Horne, the PBS broadcast of the San Francisco Opera Gala co-hosted by Joan Sutherland and the ARTE film documentary L'Opera seria. She was featured in an Oscar-winning documentary of the San Francisco Opera Chorus as Musetta in Francesca Zambello's production of La Bohème. Her recordings include Brahms' Ein deutsches Requiem with the Chicago Symphony under Daniel Barenboim, Händel's Messiah with the Philharmonia Baroque Orchestra under Nichalas McGegan, Graun's Cleopatra e Cesare with the Concerto Köln Orchestra under René Jacobs and Cimarosa's Il matrimonio segreto under Gabriele Bellini. Janet Williams holds Bachelor degree both Music Education and Vocal Performance from Indiana University, where she was a student and Assistant Instructor under Professor Camilla Williams. Other instructors or mentors have included world-renowned singers Regina Crespin, Kammersängerin Helen Donath, Kammersängerin Reri Grist and noted international vocal pedagogue David Jones. Janet Williams was recently named Guest Professor of the Hochschule für Musik Hanns Eisler in Berlin and is currently on the voice faculties of the Hochschule für Musik and Theater in Rostock and the Lotte Lehmann Summer Academy in Perleberg, Germany. She has presented master classes, seminars and workshops across the United States, as well as in London, Paris, Reykjavik and Berlin. Her book Nail Your Next Audition, The Ultimate 30-Day Guide for Singers has attracted a global following of young singers and voice professionals.